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Gladiatorial Aquarius Crimson

#ac1920
Notes

Gladiatorial Aquarius Crimson (#AC1920) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (357°, 75%, 39%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ac1920
RGB
rgb(172, 25, 32)
HSL
hsl(357, 75%, 39%)
HWB
hwb(357 10% 33%)
OKLCH
oklch(47.9% 0.180 25.7)
P3
color(display-p3 0.6189 0.1645 0.1555)
HSV
hsv(357, 85%, 67%)
LAB
lab(37.07% 56.39 36.32)
LCH
lch(37.07% 67.07 32.78)
CMYK
cmyk(0%, 85%, 81%, 33%)

Etymology

Gladiatorial
adjective

Latin gladiātōrius, of the gladiator — adjectival suffix, derived from gladius (short-sword). As a color modifier, gladiatorial implies a saturated-and-combative-and-bloody quality, the deep-rich color of Roman-Colosseum gladiator-arena bloody-tunic-and-shield combat-attire. Sits at the bold-and-formal end of the grid, parallel to spartan and valiant.

Aquarius
modifier

Latin aquarius, water-bearer-of-the-zodiac. As a color modifier, aquarius implies a water-bearer-and-air-sign-and-Saturn-Uranus-ruled-fixed-air quality, the visual register of Hellenic-Aquarius-and-Ganymede-water-bearer hand-water-bearer-and-air-sign-and-Saturn-Uranus-ruled-fixed-air Hellenic-Aquarius-and-Ganymede-water-bearer-and-cup-bearer aquarius-and-water-bearer-and-air-sign surfaces under Hellenic-Aquarius-and-Ganymede-water-bearer-and-cup-bearer mid-winter-and-January-and-February fixed-air-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to pisces and capricorn in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ac1920
Original
#4b431e
Protanopia
#6e6219
Deuteranopia
#be001e
Tritanopia
#393939
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.21:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.91:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AC1920
Display P3
Display P3
color(display-p3 0.6189 0.1645 0.1555)
P3 has subtle headroomOKLCH chroma 0.180

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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