Imperial Capricorn Crimson

From the Latin imperialis, of the empire — applied to color since the medieval period for the hues reserved for sovereigns and empires: imperial purple of Tyrian dye, imperial yellow of Ming-dynasty porcelain. As a modifier, imperial implies saturation combined with the institutional weight of a color owned by a court. Sits in the bold-and-deep corner, alongside royal.

Latin capricornus, horned-goat-of-the-zodiac. As a color modifier, capricorn implies a sea-goat-and-earth-sign-and-Saturn-ruled-cardinal-earth quality, the visual register of Hellenic-Capricorn-and-Pan-sea-goat hand-sea-goat-and-earth-sign-and-Saturn-ruled-cardinal-earth Hellenic-Capricorn-and-Pan-sea-goat-and-Babylonian-Suhurmašu capricorn-and-sea-goat-and-earth-sign surfaces under Hellenic-Capricorn-and-Pan-sea-goat-and-Babylonian-Suhurmašu winter-solstice-and-December-and-January cardinal-earth-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to sagittarius and aquarius in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.