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Hyper Kohaku

#f76024
Notes

Hyper Kohaku (#F76024) is a true orange with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (17°, 93%, 55%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#f76024
RGB
rgb(247, 96, 36)
HSL
hsl(17, 93%, 55%)
HWB
hwb(17 14% 3%)
OKLCH
oklch(67.7% 0.197 39.5)
P3
color(display-p3 0.8992 0.4155 0.2221)
HSV
hsv(17, 85%, 97%)
LAB
lab(60.13% 55.26 60.28)
LCH
lch(60.13% 81.78 47.49)
CMYK
cmyk(0%, 61%, 85%, 3%)

Etymology

Hyper
adjective

Greek hyper, over / beyond — sharing root with Latin super. As a color modifier, hyper implies a saturated-and-over-the-top-active quality where the hue exceeds normal visual amplitude with maximum-stimulation register. Sits at the bright-and-over-active end of the grid, parallel to manic and frenetic in usage.

Kohaku
noun

The Japanese name for amber — fossilized tree resin imported from Baltic deposits since the Heian period and worked into ornamental beads, sword fittings, and netsuke. Also the name of a koi cultivar with red markings on white. The color refers to a polished Baltic-amber bead in a Japanese tea-ceremony display: a warm, slightly translucent gold-orange with the depth of resin. Cooler than honey, deeper than tangerine.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#f76024
Original
#8c7c18
Protanopia
#b19e1b
Deuteranopia
#ff3755
Tritanopia
#7c7c7c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.16:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.65:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##F76024
Display P3
Display P3
color(display-p3 0.8992 0.4155 0.2221)
P3 has visible headroomOKLCH chroma 0.197

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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