Hushed Sateen
Hushed Sateen (#E9F0FE) is a soft azure with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (220°, 91%, 95%) places it in the highly saturated band at a light lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary amber. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
The past participle of hush, to silence — used as a color modifier since the late nineteenth century for hues that read as if turned down. Hushed pink, hushed lavender: low saturation combined with optical quietness. Sits at the hushed-bucket center alongside muted.
English sateen, imitation-satin — the pure-cream-pure-white-and-pale-cream cotton-satin-weave-fabric of pre-modern English-and-American textile-manufacture, particularly the Edwardian-and-Mid-Century-Modern sateen-bedlinens. Sateen color refers to a freshly hand-loomed Manchester-period sateen in raking light: a pure white with the silky finish of fine-spun-and-hand-loomed cotton-satin-weave with the characteristic sateen smooth-and-lustrous finish.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.