Gauzy Tahini
Gauzy Tahini (#D8C8A9) is a soft amber with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (40°, 38%, 75%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
An adjectival form of gauze, the open-weave fabric named for the Palestinian city of Gaza. Used as a color modifier since the eighteenth century for hues with the optical translucency of loose-weave fabric. Gauzy white, gauzy pink: very low saturation combined with optical openness. Sits at the pale-bucket alongside sheer and veiled.
The Levantine sesame-seed paste — ground roasted sesame, the foundation of baba ganoush, halva, and many Middle Eastern sauces. The color refers to fresh-stirred tahini in a small bowl: a soft, slightly warm cream-tan with the slightly oily matte finish of ground oilseed.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.