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Reinforced Clan Crimson

#bd456a
Notes

Reinforced Clan Crimson (#BD456A) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (342°, 48%, 51%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bd456a
RGB
rgb(189, 69, 106)
HSL
hsl(342, 48%, 51%)
HWB
hwb(342 27% 26%)
OKLCH
oklch(56.4% 0.157 4.6)
P3
color(display-p3 0.6866 0.3024 0.4158)
HSV
hsv(342, 63%, 74%)
LAB
lab(47.13% 51.28 4.66)
LCH
lch(47.13% 51.50 5.20)
CMYK
cmyk(0%, 63%, 44%, 26%)

Etymology

Reinforced
adjective

Latin re- plus inforce — past-participle of reinforce. As a color modifier, reinforced implies a saturated-and-doubled-up-and-strengthened quality where the hue carries layered pigmentation for maximum visual presence. Sits at the bold-and-fortified end of the grid, parallel to fortified and buttressed.

Clan
modifier

Scottish-Gaelic clann, children / family. As a color modifier, clan implies a Highland-Scottish-kinship quality, the visual register of Scottish-Highland-Clan Highland-and-Lowland hand-woven tartan-and-kilt-and-broadsword clan-and-kinship surfaces under Highland-Scottish-clan tartan-and-kilt-and-pipe-band Highland-pasture light. Sits at the modifier-and-cultural end of the grid, parallel to tribe and kin in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bd456a
Original
#5d616b
Protanopia
#7d7867
Deuteranopia
#cd3653
Tritanopia
#616161
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.97:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.22:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BD456A
Display P3
Display P3
color(display-p3 0.6866 0.3024 0.4158)
P3 has subtle headroomOKLCH chroma 0.157

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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