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Wellbred Apse Crimson

#bd292c
Notes

Wellbred Apse Crimson (#BD292C) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (359°, 64%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bd292c
RGB
rgb(189, 41, 44)
HSL
hsl(359, 64%, 45%)
HWB
hwb(359 16% 26%)
OKLCH
oklch(52.3% 0.184 25.5)
P3
color(display-p3 0.6818 0.2161 0.2004)
HSV
hsv(359, 78%, 74%)
LAB
lab(42.14% 57.49 35.80)
LCH
lch(42.14% 67.73 31.91)
CMYK
cmyk(0%, 78%, 77%, 26%)

Etymology

Wellbred
adjective

Old English wel-brēd, well-bred — past-participle of breed, sharing root with brood (offspring). As a color modifier, wellbred implies a saturated-and-elegant-and-formal quality, the deep-rich color of Edwardian-period finishing-school-and-debutante-Court English-aristocratic livery. Sits at the bold-and-elegant end of the grid, parallel to highborn and patrician.

Apse
modifier

Latin absis, vault / arch-recess. As a color modifier, apse implies a semicircular-vaulted-altar-end quality, the visual register of Romanesque-and-Byzantine-cathedral hand-laid mosaic-and-fresco-decorated semicircular altar-end vaulted-apse architectural surfaces under candle-and-incense apse light. Sits at the modifier-and-architecture end of the grid, parallel to nave and aisle in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bd292c
Original
#574f2a
Protanopia
#7c6f26
Deuteranopia
#d0002c
Tritanopia
#494949
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.97:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.52:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BD292C
Display P3
Display P3
color(display-p3 0.6818 0.2161 0.2004)
P3 has visible headroomOKLCH chroma 0.184

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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