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Abundant Spark Crimson

#ba3129
Notes

Abundant Spark Crimson (#BA3129) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (3°, 64%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ba3129
RGB
rgb(186, 49, 41)
HSL
hsl(3, 64%, 45%)
HWB
hwb(3 16% 27%)
OKLCH
oklch(52.5% 0.175 28.2)
P3
color(display-p3 0.6721 0.2374 0.1925)
HSV
hsv(3, 78%, 73%)
LAB
lab(42.46% 53.85 37.67)
LCH
lch(42.46% 65.72 34.97)
CMYK
cmyk(0%, 74%, 78%, 27%)

Etymology

Abundant
adjective

Latin abundāre, to overflow — present-participle of abound. As a color modifier, abundant implies a saturated-and-plentiful quality where the hue carries surplus visual richness beyond minimum requirement. Sits at the bold-and-saturated end of the grid, parallel to plentiful and bountiful.

Spark
modifier

Old English spearca, small-ember. As a color modifier, spark implies a small-bright-and-flying-ember quality, the visual register of blacksmith-anvil-and-bonfire-spark hand-small-bright-and-flying-ember blacksmith-anvil-and-bonfire-and-flint-strike sparked-and-small-bright-and-flying surfaces under blacksmith-anvil-and-bonfire-and-flint-strike orange-glow-and-iron-and-flint forge-and-hearth-light. Sits at the modifier-and-mood end of the grid, parallel to flash and flare in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ba3129
Original
#5a5127
Protanopia
#7c6f23
Deuteranopia
#cd0031
Tritanopia
#4e4e4e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.90:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.56:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BA3129
Display P3
Display P3
color(display-p3 0.6721 0.2374 0.1925)
P3 has subtle headroomOKLCH chroma 0.175

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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