Booming Slick Crimson

Imitative-onomatopoeic origin — present-participle of boom, sharing root with Dutch bommen. As a color modifier, booming implies a saturated-and-loud-and-confident quality where the hue announces itself with full visual amplitude. Sits at the bold-and-resonant end of the grid, parallel to resounding and thunderous.

Old Norse slíkr, slick / smooth. As a color modifier, slick implies a wet-and-glossy quality, the visual register of oil-and-water-slick wet-and-glossy oil-and-water-slick reflective-surface slick-and-glossy-and-reflective surfaces under wet-oil-and-water-slick reflective-light. Sits at the modifier-and-texture end of the grid, parallel to sleek and gloss in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.