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Resonant Sumer Crimson

#b82d2b
Notes

Resonant Sumer Crimson (#B82D2B) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (1°, 62%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b82d2b
RGB
rgb(184, 45, 43)
HSL
hsl(1, 62%, 45%)
HWB
hwb(1 17% 28%)
OKLCH
oklch(51.8% 0.176 26.5)
P3
color(display-p3 0.6643 0.2246 0.1967)
HSV
hsv(1, 77%, 72%)
LAB
lab(41.60% 54.67 35.51)
LCH
lch(41.60% 65.19 33.00)
CMYK
cmyk(0%, 76%, 77%, 28%)

Etymology

Resonant
adjective

Latin resonāns, echoing — present-participle of resonate, sharing root with sonance. As a color modifier, resonant implies a saturated-and-deep-vibrating quality where the hue carries low-frequency visual richness. Sits at the bold-and-resonant end of the grid, parallel to sonorous and resounding in usage.

Sumer
modifier

Akkadian Šumeru, Sumer. As a color modifier, sumer implies an ancient-Mesopotamian-and-cuneiform quality, the visual register of Sumerian-Ur-and-Uruk hand-built ziggurat-and-cuneiform-tablet bronze-age Mesopotamian city-state surfaces under Sumerian-Mesopotamian Ur-and-Uruk bronze-age city-state sun-baked-mud-brick light. Sits at the modifier-and-cultural end of the grid, parallel to akkad and median in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b82d2b
Original
#574f29
Protanopia
#7a6d25
Deuteranopia
#cb002e
Tritanopia
#4a4a4a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.09:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.45:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B82D2B
Display P3
Display P3
color(display-p3 0.6643 0.2246 0.1967)
P3 has subtle headroomOKLCH chroma 0.176

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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