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Magisterial Forged Crimson

#b82930
Notes

Magisterial Forged Crimson (#B82930) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (357°, 64%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b82930
RGB
rgb(184, 41, 48)
HSL
hsl(357, 64%, 44%)
HWB
hwb(357 16% 28%)
OKLCH
oklch(51.5% 0.179 23.9)
P3
color(display-p3 0.6638 0.2131 0.2112)
HSV
hsv(357, 78%, 72%)
LAB
lab(41.20% 56.16 32.14)
LCH
lch(41.20% 64.71 29.79)
CMYK
cmyk(0%, 78%, 74%, 28%)

Etymology

Magisterial
adjective

Latin magisterium, teacher's office — adjectival suffix -al. As a color modifier, magisterial implies a saturated-and-authoritative-and-formal quality, the deep-rich color of Qing-dynasty civil-magistrate court-and-ritual textiles and Imperial-Examination scholar-class livery. Sits at the bold-and-authoritative end of the grid, parallel to authoritative and commanding.

Forged
modifier

Old French forgier, to-forge. As a color modifier, forged implies a hand-hammered-iron quality, the visual register of blacksmith-and-armorer-forged hand-hammered-and-tempered iron-and-steel-and-bronze blacksmith-and-armorer-forged surfaces under blacksmith-and-armorer-forge bellows-and-anvil light. Sits at the modifier-and-texture end of the grid, parallel to hewn and cast in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b82930
Original
#554e2f
Protanopia
#786c2b
Deuteranopia
#cb002d
Tritanopia
#484848
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.18:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.40:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B82930
Display P3
Display P3
color(display-p3 0.6638 0.2131 0.2112)
P3 has subtle headroomOKLCH chroma 0.179

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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