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Conquering Flame

#b4512f
Notes

Conquering Flame (#B4512F) is a true orange with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (15°, 59%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b4512f
RGB
rgb(180, 81, 47)
HSL
hsl(15, 59%, 45%)
HWB
hwb(15 18% 29%)
OKLCH
oklch(55.5% 0.138 39.0)
P3
color(display-p3 0.6576 0.3401 0.2199)
HSV
hsv(15, 74%, 71%)
LAB
lab(46.71% 38.01 38.64)
LCH
lch(46.71% 54.20 45.47)
CMYK
cmyk(0%, 55%, 74%, 29%)

Etymology

Conquering
adjective

Latin conquīrere, to seek thoroughly — present-participle of conquer. As a color modifier, conquering implies a saturated-and-overwhelming-and-victorious quality where the hue overcomes neighboring colors through pure pigmentation strength. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and dominant.

Flame
noun

The luminous combustion zone of a fire — the visible portion of incandescent gas, where temperature determines color. The orange of a wood flame sits around 1,100°C; hotter and it shifts to yellow, hotter still to white. The color is a saturated, slightly red orange with the suggestion of internal motion. Hotter than ember, brighter than rust, alive in a way pigment never quite captures.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b4512f
Original
#6c612b
Protanopia
#84772c
Deuteranopia
#c63c4a
Tritanopia
#646464
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.05:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.16:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B4512F
Display P3
Display P3
color(display-p3 0.6576 0.3401 0.2199)
P3 has subtle headroomOKLCH chroma 0.138

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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