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Centered Sparta Crimson

#b21623
Notes

Centered Sparta Crimson (#B21623) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (355°, 78%, 39%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b21623
RGB
rgb(178, 22, 35)
HSL
hsl(355, 78%, 39%)
HWB
hwb(355 9% 30%)
OKLCH
oklch(49.0% 0.187 24.7)
P3
color(display-p3 0.6403 0.1622 0.1660)
HSV
hsv(355, 88%, 70%)
LAB
lab(38.13% 58.78 36.09)
LCH
lch(38.13% 68.97 31.55)
CMYK
cmyk(0%, 88%, 80%, 30%)

Etymology

Centered
adjective

Latin centrum, center — past-participle of center. As a color modifier, centered implies a saturated-and-grounded-and-balanced quality where the hue occupies the visual center of its palette without drift. Sits at the bold-and-balanced end of the grid, parallel to poised and grounded.

Sparta
modifier

Greek Σπάρτη, Sparta. As a color modifier, sparta implies a Lacedaemonian-and-warrior-city-state quality, the visual register of Spartan-Lacedaemonian-City-State hand-built bronze-armor-and-crimson-tunic-and-stone-temple Doric-warrior-state surfaces under Lacedaemonian-Sparta-and-Eurotas-Valley Doric-warrior-state Greek-Peloponnese light. Sits at the modifier-and-cultural end of the grid, parallel to athens and roman in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b21623
Original
#4c4521
Protanopia
#71651c
Deuteranopia
#c5001e
Tritanopia
#383838
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.93:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.03:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B21623
Display P3
Display P3
color(display-p3 0.6403 0.1622 0.1660)
P3 has visible headroomOKLCH chroma 0.187

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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