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Inviting Mandarino

#b16b27
Notes

Inviting Mandarino (#B16B27) is a true orange with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (30°, 64%, 42%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b16b27
RGB
rgb(177, 107, 39)
HSL
hsl(30, 64%, 42%)
HWB
hwb(30 15% 31%)
OKLCH
oklch(59.3% 0.120 60.5)
P3
color(display-p3 0.6559 0.4324 0.2110)
HSV
hsv(30, 78%, 69%)
LAB
lab(51.85% 22.50 47.68)
LCH
lch(51.85% 52.72 64.73)
CMYK
cmyk(0%, 40%, 78%, 31%)

Etymology

Inviting
adjective

Latin invītāre, to invite — present-participle of invite. As a color modifier, inviting implies a clear-and-cordial-and-encouraging quality where the hue carries the visual register of warm-inviting-and-encouraging entrance-foyer color tone. Sits at the crisp-and-cheerful end of the grid, parallel to welcoming and hospitable in usage.

Mandarino
noun

The Italian word for mandarinCitrus reticulata — the small citrus cultivated in Sicily since Arab agricultural-period introduction. Mandarino names both the fruit and the slightly cooler, redder orange that distinguishes mandarins from sweet oranges. The color refers to a fresh Sicilian mandarino: a saturated, slightly cool orange with the matte finish of mandarin rind.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b16b27
Original
#80721d
Protanopia
#918228
Deuteranopia
#c25b5d
Tritanopia
#757575
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.20:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.00:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B16B27
Display P3
Display P3
color(display-p3 0.6559 0.4324 0.2110)
P3 has subtle headroomOKLCH chroma 0.120

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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