Velvety Eddy Crimson

An adjectival form of velvet, used since the eighteenth century for colors that read as if they had the matte light-absorbing quality of velvet. Implies high saturation combined with a non-glossy surface — the matte richness of a deep wine in a fabric rather than in a glass. Sits in the bold-and-deep corner of the grid alongside plush and lush.

Old Norse iða, whirlpool-or-current. As a color modifier, eddy implies a small-circling-and-counter-current quality, the visual register of river-bend-and-tidal-pool-eddy hand-small-circling-and-counter-current river-bend-and-tidal-pool-and-rock-shelter eddied-and-small-circling-and-counter-current surfaces under river-bend-and-tidal-pool-and-rock-shelter Highland-burn-and-coastal-cove curl-and-spiral-light. Sits at the modifier-and-mood end of the grid, parallel to swirl and stir in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.