Velvety Norn Crimson

An adjectival form of velvet, used since the eighteenth century for colors that read as if they had the matte light-absorbing quality of velvet. Implies high saturation combined with a non-glossy surface — the matte richness of a deep wine in a fabric rather than in a glass. Sits in the bold-and-deep corner of the grid alongside plush and lush.

Old Norse norn, Norse-fate-weaver. As a color modifier, norn implies a Norse-fate-weaver-and-Urd-Verdandi-Skuld quality, the visual register of Norse-Norns-and-Urd-Verdandi-Skuld hand-Norse-fate-weaver-and-Urd-Verdandi-Skuld Norse-Norns-and-Urd-Verdandi-Skuld-and-Yggdrasil-roots norn-and-Norse-fate-weaver surfaces under Norse-Norns-and-Urd-Verdandi-Skuld-and-Yggdrasil-roots Well-of-Urd-and-loom-of-fate fate-weaver-light. Sits at the modifier-and-myth end of the grid, parallel to vala and rune in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.