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Stately Prow Crimson

#b12228
Notes

Stately Prow Crimson (#B12228) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (357°, 68%, 41%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b12228
RGB
rgb(177, 34, 40)
HSL
hsl(357, 68%, 41%)
HWB
hwb(357 13% 31%)
OKLCH
oklch(49.6% 0.178 24.9)
P3
color(display-p3 0.6378 0.1900 0.1828)
HSV
hsv(357, 81%, 69%)
LAB
lab(38.98% 55.82 34.01)
LCH
lch(38.98% 65.37 31.35)
CMYK
cmyk(0%, 81%, 77%, 31%)

Etymology

Stately
adjective

An adjectival form of state, condition of dignity. Used as a color modifier since the seventeenth century for the deep saturated jewel tones of formal ceremony — the deep blue of a robes-of-state, the deep red of a state-banquet velvet. Sits in the bold-and-formal corner alongside imperial and royal, with slightly less institutional weight.

Prow
modifier

Old French proue, ship's-front. As a color modifier, prow implies a ship's-front-and-figurehead quality, the visual register of Royal-Navy-and-Tall-Ship-Prow hand-carved ship's-front-and-figurehead prow-and-cutwater-and-bowsprit maritime-architecture surfaces under tall-ship-prow-and-figurehead maritime-headway light. Sits at the modifier-and-nautical end of the grid, parallel to bow and hull in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b12228
Original
#504827
Protanopia
#736722
Deuteranopia
#c30026
Tritanopia
#414141
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.71:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.13:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B12228
Display P3
Display P3
color(display-p3 0.6378 0.1900 0.1828)
P3 has subtle headroomOKLCH chroma 0.178

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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