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Booming Taurus Crimson

#b12122
Notes

Booming Taurus Crimson (#B12122) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (360°, 69%, 41%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b12122
RGB
rgb(177, 33, 34)
HSL
hsl(360, 69%, 41%)
HWB
hwb(360 13% 31%)
OKLCH
oklch(49.4% 0.179 26.6)
P3
color(display-p3 0.6377 0.1873 0.1648)
HSV
hsv(360, 81%, 69%)
LAB
lab(38.82% 55.90 37.28)
LCH
lch(38.82% 67.19 33.70)
CMYK
cmyk(0%, 81%, 81%, 31%)

Etymology

Booming
adjective

Imitative-onomatopoeic origin — present-participle of boom, sharing root with Dutch bommen. As a color modifier, booming implies a saturated-and-loud-and-confident quality where the hue announces itself with full visual amplitude. Sits at the bold-and-resonant end of the grid, parallel to resounding and thunderous.

Taurus
modifier

Latin taurus, bull-of-the-zodiac. As a color modifier, taurus implies a bull-and-earth-sign-and-Venus-ruled-fixed-earth quality, the visual register of Mesopotamian-bull-and-Greek-Taurus hand-bull-and-earth-sign-and-Venus-ruled-fixed-earth Mesopotamian-bull-and-Greek-Taurus-and-Pleiades-cluster taurus-and-bull-and-earth-sign surfaces under Mesopotamian-bull-and-Greek-Taurus-and-Pleiades-cluster spring-and-April-and-May fixed-earth-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to aries and gemini in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b12122
Original
#504720
Protanopia
#73661b
Deuteranopia
#c30024
Tritanopia
#404040
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.75:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.11:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B12122
Display P3
Display P3
color(display-p3 0.6377 0.1873 0.1648)
P3 has subtle headroomOKLCH chroma 0.179

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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