Booming Glee Crimson

Imitative-onomatopoeic origin — present-participle of boom, sharing root with Dutch bommen. As a color modifier, booming implies a saturated-and-loud-and-confident quality where the hue announces itself with full visual amplitude. Sits at the bold-and-resonant end of the grid, parallel to resounding and thunderous.

Old English glēo, music-or-merriment. As a color modifier, glee implies a singing-and-merry-and-bubbling quality, the visual register of Elizabethan-glee-club-and-madrigal-glee hand-singing-and-merry-and-bubbling Elizabethan-glee-club-and-madrigal-and-catch-singing gleeful-and-singing-and-merry-and-bubbling surfaces under Elizabethan-glee-club-and-madrigal-and-catch-singing parlor-and-tavern-and-court candlelit-music-light. Sits at the modifier-and-mood end of the grid, parallel to mirth and merry in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.