colors
Back to gallery

Dominant Meek Crimson

#af2726
Notes

Dominant Meek Crimson (#AF2726) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (0°, 64%, 42%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#af2726
RGB
rgb(175, 39, 38)
HSL
hsl(0, 64%, 42%)
HWB
hwb(0 15% 31%)
OKLCH
oklch(49.6% 0.173 26.5)
P3
color(display-p3 0.6312 0.2024 0.1772)
HSV
hsv(0, 78%, 69%)
LAB
lab(39.08% 53.67 35.16)
LCH
lch(39.08% 64.16 33.23)
CMYK
cmyk(0%, 78%, 78%, 31%)

Etymology

Dominant
adjective

Latin dominārī, to rule — present-participle of dominate. As a color modifier, dominant implies a saturated-and-leading quality where the hue claims visual precedence over neighboring colors in the surrounding palette. Sits at the bold-and-imperative end of the grid, parallel to commanding and authoritative.

Meek
modifier

Old Norse mjúkr, soft-and-gentle. As a color modifier, meek implies a hushed-and-self-effacing-and-quiet quality, the visual register of Beatitude-and-Quaker-meeting-meek hand-bowed-and-self-effacing-and-quiet Beatitude-and-Quaker-meeting-and-monastic-cloister meek-and-bowed-and-quieted surfaces under Beatitude-and-Quaker-meeting-and-monastic-cloister hush-and-bowed-vigil candle-lit-light. Sits at the modifier-and-mood end of the grid, parallel to coy and mute in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#af2726
Original
#514924
Protanopia
#736720
Deuteranopia
#c10029
Tritanopia
#444444
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.69:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.14:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AF2726
Display P3
Display P3
color(display-p3 0.6312 0.2024 0.1772)
P3 has subtle headroomOKLCH chroma 0.173

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas