Chivalrous Niche Crimson

Old French chevaleros, knightly — adjectival suffix -ous, derived from cheval (horse). As a color modifier, chivalrous implies a saturated-and-knightly-and-gallant quality, the deep-rich color of medieval-Romance chanson-de-geste hero-and-troubadour song tradition. Sits at the bold-and-chivalrous end of the grid, parallel to gallant and knightly.

Italian nicchia, recess. As a color modifier, niche implies a wall-recess-for-statue-or-icon quality, the visual register of Roman-Catholic-and-Renaissance-niche hand-cut wall-recess-and-shell-shaped niche-for-statue-or-icon architectural surfaces under candle-and-niche-statue-and-icon devotional light. Sits at the modifier-and-architecture end of the grid, parallel to alcove and atrium in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.