Sumptuous Age Crimson

Latin sūmptuōsus, expensive — derived from sūmptus (expense). As a color modifier, sumptuous implies a saturated-and-rich-and-luxurious quality, the deep-rich color of Burgundy-and-Champagne-Court late-medieval silk-and-velvet livery in the Très-Riches-Heures manuscript tradition. Sits at the bold-and-saturated end of the grid, parallel to opulent and lavish.

Old French aage, period-of-life. As a color modifier, age implies a long-passage-of-time quality, the visual register of Bronze-and-Iron-and-Stone-Age multi-millennia archaeological-period age-and-epoch-marked surfaces under multi-millennia age-and-epoch-defining time-deep light. Sits at the modifier-and-time end of the grid, parallel to era and eld in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.