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Mighty Honed Crimson

#af201c
Notes

Mighty Honed Crimson (#AF201C) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (2°, 72%, 40%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#af201c
RGB
rgb(175, 32, 28)
HSL
hsl(2, 72%, 40%)
HWB
hwb(2 11% 31%)
OKLCH
oklch(48.9% 0.179 28.0)
P3
color(display-p3 0.6304 0.1835 0.1471)
HSV
hsv(2, 84%, 69%)
LAB
lab(38.26% 55.41 39.88)
LCH
lch(38.26% 68.27 35.74)
CMYK
cmyk(0%, 82%, 84%, 31%)

Etymology

Mighty
adjective

Old English mihtig, strong — adjectival suffix -y, sharing root with German mächtig. As a color modifier, mighty implies a saturated-and-strong-presence quality, where the hue commands visual attention through pure pigmentation strength. Sits at the bold-and-saturated end of the grid, parallel to forceful and commanding in tone.

Honed
modifier

Old English hǣnan, to-sharpen. As a color modifier, honed implies a sharp-edged-and-polished quality, the visual register of Sheffield-and-Solingen-honed-blade hand-honed-and-sharpened-and-polished steel-and-iron-and-bronze Sheffield-and-Solingen-honed-blade surfaces under Sheffield-and-Solingen hand-honed-and-sharpened-blade workshop-light. Sits at the modifier-and-texture end of the grid, parallel to buffed and gloss in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#af201c
Original
#4f4619
Protanopia
#726514
Deuteranopia
#c10021
Tritanopia
#3e3e3e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.89:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.05:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AF201C
Display P3
Display P3
color(display-p3 0.6304 0.1835 0.1471)
P3 has subtle headroomOKLCH chroma 0.179

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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