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Heavy Sagittarius Brick

#ae3c24
Notes

Heavy Sagittarius Brick (#AE3C24) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (10°, 66%, 41%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ae3c24
RGB
rgb(174, 60, 36)
HSL
hsl(10, 66%, 41%)
HWB
hwb(10 14% 32%)
OKLCH
oklch(51.5% 0.154 33.6)
P3
color(display-p3 0.6312 0.2665 0.1777)
HSV
hsv(10, 79%, 68%)
LAB
lab(41.78% 45.28 39.00)
LCH
lch(41.78% 59.76 40.73)
CMYK
cmyk(0%, 66%, 79%, 32%)

Etymology

Heavy
adjective

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Sagittarius
modifier

Latin sagittarius, archer-of-the-zodiac. As a color modifier, sagittarius implies a centaur-archer-and-fire-sign-and-Jupiter-ruled-mutable-fire quality, the visual register of Hellenic-Sagittarius-and-Chiron-centaur-archer hand-centaur-archer-and-fire-sign-and-Jupiter-ruled-mutable-fire Hellenic-Sagittarius-and-Chiron-centaur-archer-and-galactic-center sagittarius-and-centaur-archer-and-fire-sign surfaces under Hellenic-Sagittarius-and-Chiron-centaur-archer-and-galactic-center late-autumn-and-November-and-December mutable-fire-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to scorpio and capricorn in usage.

Brick
noun

Fired clay, mineral red. The color refers to common building brick — iron-rich earthenware kilned to the specific dusky red-orange of a Victorian terrace, a Roman aqueduct, an adobe wall in New Mexico. Less saturated than ruby, warmer than burgundy, with a chalky cast that reads as architectural rather than decorative.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ae3c24
Original
#5d5320
Protanopia
#796c1f
Deuteranopia
#c01c37
Tritanopia
#535353
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.05:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.47:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AE3C24
Display P3
Display P3
color(display-p3 0.6312 0.2665 0.1777)
P3 has subtle headroomOKLCH chroma 0.154

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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