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Brimming Glint Crimson

#ad2c23
Notes

Brimming Glint Crimson (#AD2C23) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (4°, 66%, 41%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ad2c23
RGB
rgb(173, 44, 35)
HSL
hsl(4, 66%, 41%)
HWB
hwb(4 14% 32%)
OKLCH
oklch(49.6% 0.167 28.7)
P3
color(display-p3 0.6247 0.2157 0.1690)
HSV
hsv(4, 80%, 68%)
LAB
lab(39.26% 51.27 36.91)
LCH
lch(39.26% 63.18 35.75)
CMYK
cmyk(0%, 75%, 80%, 32%)

Etymology

Brimming
adjective

Old English brymme, brim / edge — present-participle of brim. As a color modifier, brimming implies a saturated-and-overflowing quality where the hue spills past the edge of its visual container with rich pigmentation. Sits at the bold-and-saturated end of the grid, parallel to replete and abundant.

Glint
modifier

Middle English glent, to-shine-or-glance. As a color modifier, glint implies a brief-and-glancing-and-pinpoint-shine quality, the visual register of Scottish-burn-and-anvil-spark-glint hand-brief-and-glancing-and-pinpoint-shine Scottish-burn-and-anvil-spark-and-flint-strike glinted-and-brief-and-glancing surfaces under Scottish-burn-and-anvil-spark-and-flint-strike sun-on-water-and-forge-spark fleeting-glance-light. Sits at the modifier-and-mood end of the grid, parallel to gleam and spark in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ad2c23
Original
#534a21
Protanopia
#73671d
Deuteranopia
#bf002b
Tritanopia
#474747
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.64:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.16:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AD2C23
Display P3
Display P3
color(display-p3 0.6247 0.2157 0.1690)
P3 has subtle headroomOKLCH chroma 0.167

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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