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Gallant Spire Crimson

#ad1f28
Notes

Gallant Spire Crimson (#AD1F28) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (356°, 70%, 40%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ad1f28
RGB
rgb(173, 31, 40)
HSL
hsl(356, 70%, 40%)
HWB
hwb(356 12% 32%)
OKLCH
oklch(48.6% 0.176 24.2)
P3
color(display-p3 0.6231 0.1797 0.1809)
HSV
hsv(356, 82%, 68%)
LAB
lab(37.88% 55.47 32.57)
LCH
lch(37.88% 64.33 30.42)
CMYK
cmyk(0%, 82%, 77%, 32%)

Etymology

Gallant
adjective

Old French galant, brave / charming — present-participle of galer (to make merry). As a color modifier, gallant implies a saturated-and-chivalrous-and-confident quality, the deep-rich color of Three-Musketeers and Cyrano-de-Bergerac swashbuckling adventure tradition. Sits at the bold-and-chivalrous end of the grid, parallel to valiant and heroic.

Spire
modifier

Old English spīr, blade-of-grass / point. As a color modifier, spire implies a tall-pointed-vertical quality, the visual register of Salisbury-Cathedral-and-Chartres-Cathedral hand-built tall-pointed Gothic-and-Romanesque cathedral-spire architectural surfaces under tall-cathedral-spire-against-sky light. Sits at the modifier-and-architecture end of the grid, parallel to tower and turret in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ad1f28
Original
#4d4627
Protanopia
#6f6422
Deuteranopia
#bf0024
Tritanopia
#3e3e3e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.99:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.00:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AD1F28
Display P3
Display P3
color(display-p3 0.6231 0.1797 0.1809)
P3 has subtle headroomOKLCH chroma 0.176

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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