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Abundant Forum Crimson

#ac2921
Notes

Abundant Forum Crimson (#AC2921) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (3°, 68%, 40%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ac2921
RGB
rgb(172, 41, 33)
HSL
hsl(3, 68%, 40%)
HWB
hwb(3 13% 33%)
OKLCH
oklch(49.1% 0.169 28.5)
P3
color(display-p3 0.6207 0.2064 0.1621)
HSV
hsv(3, 81%, 67%)
LAB
lab(38.67% 51.92 37.36)
LCH
lch(38.67% 63.96 35.74)
CMYK
cmyk(0%, 76%, 81%, 33%)

Etymology

Abundant
adjective

Latin abundāre, to overflow — present-participle of abound. As a color modifier, abundant implies a saturated-and-plentiful quality where the hue carries surplus visual richness beyond minimum requirement. Sits at the bold-and-saturated end of the grid, parallel to plentiful and bountiful.

Forum
modifier

Latin forum, open-space-of-Roman-city. As a color modifier, forum implies a Roman-and-civic-meeting-square quality, the visual register of Roman-Forum-and-Pompeii-Forum hand-built civic-meeting-square forum-and-basilica-and-rostrum Republican-and-Imperial-Roman architectural surfaces under Roman-Forum-and-Pompeii civic-meeting-square light. Sits at the modifier-and-architecture end of the grid, parallel to agora and stoa in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ac2921
Original
#51491e
Protanopia
#72651b
Deuteranopia
#be0029
Tritanopia
#444444
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.79:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.09:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AC2921
Display P3
Display P3
color(display-p3 0.6207 0.2064 0.1621)
P3 has subtle headroomOKLCH chroma 0.169

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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