Hardy Coiled Crimson

Old French hardi, bold / brave — past-participle of hardir (to make brave). As a color modifier, hardy implies a saturated-and-cold-resistant quality, the deep-rich color of Scandinavian-and-Russian boreal-forest-and-tundra outdoor-clothing. Sits at the bold-and-resilient end of the grid, parallel to tough and resilient.

Old French coillir, to-collect. As a color modifier, coiled implies a wound-and-spiral quality, the visual register of hand-coiled-rope-and-clay hand-coiled-and-wound rope-and-clay-and-pottery hand-coiled-and-wound coil-and-spiral-and-pottery surfaces under hand-coiled-and-wound pottery-and-rope workshop-light. Sits at the modifier-and-texture end of the grid, parallel to twined and looped in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.