Dominant Frock Crimson

Latin dominārī, to rule — present-participle of dominate. As a color modifier, dominant implies a saturated-and-leading quality where the hue claims visual precedence over neighboring colors in the surrounding palette. Sits at the bold-and-imperative end of the grid, parallel to commanding and authoritative.

Old French froc, monk's-habit-or-loose-garment. As a color modifier, frock implies a monk's-habit-and-pinafore-and-day-frock quality, the visual register of Benedictine-monk's-frock-and-Edwardian-day-frock hand-monk's-habit-and-pinafore-and-day-frock Benedictine-monk's-frock-and-Edwardian-day-frock-and-pinafore frock-and-monk's-habit-and-pinafore surfaces under Benedictine-monk's-frock-and-Edwardian-day-frock-and-pinafore Cluny-Abbey-and-Edwardian-tea-room habit-and-day-dress-light. Sits at the modifier-and-textile end of the grid, parallel to gown and cope in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.