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Triumphant Clan Crimson

#aa241c
Notes

Triumphant Clan Crimson (#AA241C) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (3°, 72%, 39%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#aa241c
RGB
rgb(170, 36, 28)
HSL
hsl(3, 72%, 39%)
HWB
hwb(3 11% 33%)
OKLCH
oklch(48.3% 0.171 28.8)
P3
color(display-p3 0.6128 0.1911 0.1461)
HSV
hsv(3, 84%, 67%)
LAB
lab(37.65% 52.76 38.95)
LCH
lch(37.65% 65.57 36.44)
CMYK
cmyk(0%, 79%, 84%, 33%)

Etymology

Triumphant
adjective

Latin triumphāns, celebrating victory — present-participle of triumphāre. As a color modifier, triumphant implies a saturated-and-celebratory-and-victorious quality, the deep-rich color of Roman-Imperial-period triumphal-arch spolia relief and Arch-of-Titus victory imagery. Sits at the bold-and-celebratory end of the grid, parallel to victorious and conquering.

Clan
modifier

Scottish-Gaelic clann, children / family. As a color modifier, clan implies a Highland-Scottish-kinship quality, the visual register of Scottish-Highland-Clan Highland-and-Lowland hand-woven tartan-and-kilt-and-broadsword clan-and-kinship surfaces under Highland-Scottish-clan tartan-and-kilt-and-pipe-band Highland-pasture light. Sits at the modifier-and-cultural end of the grid, parallel to tribe and kin in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#aa241c
Original
#4f4619
Protanopia
#6f6315
Deuteranopia
#bc0024
Tritanopia
#404040
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.05:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.98:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AA241C
Display P3
Display P3
color(display-p3 0.6128 0.1911 0.1461)
P3 has subtle headroomOKLCH chroma 0.171

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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