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Resilient Soothe Crimson

#aa1919
Notes

Resilient Soothe Crimson (#AA1919) is a true red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (0°, 74%, 38%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#aa1919
RGB
rgb(170, 25, 25)
HSL
hsl(0, 74%, 38%)
HWB
hwb(0 10% 33%)
OKLCH
oklch(47.5% 0.179 27.5)
P3
color(display-p3 0.6117 0.1631 0.1354)
HSV
hsv(0, 85%, 67%)
LAB
lab(36.58% 55.63 39.55)
LCH
lch(36.58% 68.26 35.41)
CMYK
cmyk(0%, 85%, 85%, 33%)

Etymology

Resilient
adjective

Latin resiliēns, springing-back — present-participle of resilīre. As a color modifier, resilient implies a saturated-and-recovering-and-flexible quality where the hue maintains its strength under visual pressure. Sits at the bold-and-resilient end of the grid, parallel to tough and hardy in usage.

Soothe
modifier

Old English sōthian, to-verify-and-calm. As a color modifier, soothe implies a calmed-and-balm-and-pacified quality, the visual register of apothecary-balm-and-lullaby-soothe hand-balmed-and-anointed-and-pacified apothecary-balm-and-cradle-song-and-bedside-vigil soothed-and-calmed-and-balmed surfaces under apothecary-balm-and-cradle-song bedside-vigil-and-nursery hush-and-balm-light. Sits at the modifier-and-mood end of the grid, parallel to lull and hush in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#aa1919
Original
#4b4216
Protanopia
#6d6110
Deuteranopia
#bc001c
Tritanopia
#383838
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.34:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.86:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AA1919
Display P3
Display P3
color(display-p3 0.6117 0.1631 0.1354)
P3 has subtle headroomOKLCH chroma 0.179

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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