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Anchored Spark Brick

#a83120
Notes

Anchored Spark Brick (#A83120) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (8°, 68%, 39%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a83120
RGB
rgb(168, 49, 32)
HSL
hsl(8, 68%, 39%)
HWB
hwb(8 13% 34%)
OKLCH
oklch(49.2% 0.158 31.2)
P3
color(display-p3 0.6076 0.2285 0.1603)
HSV
hsv(8, 81%, 66%)
LAB
lab(38.95% 47.66 37.92)
LCH
lch(38.95% 60.91 38.51)
CMYK
cmyk(0%, 71%, 81%, 34%)

Etymology

Anchored
adjective

The past participle of anchor, used since the late nineteenth century as a metaphor for secured in place. As a color word, anchored implies a deep saturated tone that grounds a palette — the dark blues, deep greens, and browns that hold a composition together. Sits in the bold-and-deep corner of the grid alongside solid.

Spark
modifier

Old English spearca, small-ember. As a color modifier, spark implies a small-bright-and-flying-ember quality, the visual register of blacksmith-anvil-and-bonfire-spark hand-small-bright-and-flying-ember blacksmith-anvil-and-bonfire-and-flint-strike sparked-and-small-bright-and-flying surfaces under blacksmith-anvil-and-bonfire-and-flint-strike orange-glow-and-iron-and-flint forge-and-hearth-light. Sits at the modifier-and-mood end of the grid, parallel to flash and flare in usage.

Brick
noun

Fired clay, mineral red. The color refers to common building brick — iron-rich earthenware kilned to the specific dusky red-orange of a Victorian terrace, a Roman aqueduct, an adobe wall in New Mexico. Less saturated than ruby, warmer than burgundy, with a chalky cast that reads as architectural rather than decorative.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a83120
Original
#544b1d
Protanopia
#72651b
Deuteranopia
#b9002e
Tritanopia
#494949
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.72:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.13:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A83120
Display P3
Display P3
color(display-p3 0.6076 0.2285 0.1603)
P3 has subtle headroomOKLCH chroma 0.158

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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