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Princely Persia Crimson

#a82416
Notes

Princely Persia Crimson (#A82416) is a true red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (6°, 77%, 37%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a82416
RGB
rgb(168, 36, 22)
HSL
hsl(6, 77%, 37%)
HWB
hwb(6 9% 34%)
OKLCH
oklch(47.9% 0.170 30.3)
P3
color(display-p3 0.6057 0.1899 0.1297)
HSV
hsv(6, 87%, 66%)
LAB
lab(37.20% 51.99 41.45)
LCH
lch(37.20% 66.49 38.57)
CMYK
cmyk(0%, 79%, 87%, 34%)

Etymology

Princely
adjective

Latin prīnceps, first / chief — adjectival suffix -ly. As a color modifier, princely implies a saturated-and-royal-secondary quality, the deep-rich color of European crown-prince coronet-and-livery vestment. Sits at the bold-and-aristocratic end of the grid, parallel to lordly and regal in usage.

Persia
modifier

Latin Persia, Persia. As a color modifier, persia implies an Achaemenid-and-Safavid-Imperial quality, the visual register of Achaemenid-Persia-and-Safavid-Persia hand-built Persepolis-and-Isfahan-and-Persian-rug-and-tile Imperial-Persian surfaces under Persepolis-and-Isfahan Achaemenid-and-Safavid Imperial-Persian high-desert light. Sits at the modifier-and-cultural end of the grid, parallel to median and achaemenid in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a82416
Original
#4e4512
Protanopia
#6e620d
Deuteranopia
#ba0023
Tritanopia
#3f3f3f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.17:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.93:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A82416
Display P3
Display P3
color(display-p3 0.6057 0.1899 0.1297)
P3 has subtle headroomOKLCH chroma 0.170

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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