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Brimming Pater Crimson

#a82221
Notes

Brimming Pater Crimson (#A82221) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (0°, 67%, 39%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a82221
RGB
rgb(168, 34, 33)
HSL
hsl(0, 67%, 39%)
HWB
hwb(0 13% 34%)
OKLCH
oklch(47.8% 0.170 26.9)
P3
color(display-p3 0.6054 0.1844 0.1588)
HSV
hsv(0, 80%, 66%)
LAB
lab(37.08% 52.90 35.50)
LCH
lch(37.08% 63.71 33.86)
CMYK
cmyk(0%, 80%, 80%, 34%)

Etymology

Brimming
adjective

Old English brymme, brim / edge — present-participle of brim. As a color modifier, brimming implies a saturated-and-overflowing quality where the hue spills past the edge of its visual container with rich pigmentation. Sits at the bold-and-saturated end of the grid, parallel to replete and abundant.

Pater
modifier

Latin pater, father. As a color modifier, pater implies a Latin-father-and-paterfamilias-and-Pater-Noster quality, the visual register of Pater-Noster-and-Roman-paterfamilias hand-Latin-father-and-paterfamilias-and-Pater-Noster Pater-Noster-and-Roman-paterfamilias-and-Catholic-prayer pater-and-Latin-father surfaces under Pater-Noster-and-Roman-paterfamilias-and-Catholic-prayer Roman-Senate-and-Catholic-liturgy paterfamilias-light. Sits at the modifier-and-Latin end of the grid, parallel to mater and dux in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a82221
Original
#4d451f
Protanopia
#6d621b
Deuteranopia
#b90024
Tritanopia
#3e3e3e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.20:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.92:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A82221
Display P3
Display P3
color(display-p3 0.6054 0.1844 0.1588)
P3 has subtle headroomOKLCH chroma 0.170

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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