colors
Back to gallery

Replete Median Rose

#a52b1b
Notes

Replete Median Rose (#A52B1B) is a true red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (7°, 72%, 38%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a52b1b
RGB
rgb(165, 43, 27)
HSL
hsl(7, 72%, 38%)
HWB
hwb(7 11% 35%)
OKLCH
oklch(48.0% 0.161 30.9)
P3
color(display-p3 0.5959 0.2086 0.1435)
HSV
hsv(7, 84%, 65%)
LAB
lab(37.50% 48.79 38.97)
LCH
lch(37.50% 62.44 38.62)
CMYK
cmyk(0%, 74%, 84%, 35%)

Etymology

Replete
adjective

Latin replētus, filled — past-participle of replēre. As a color modifier, replete implies a saturated-and-fully-pigmented quality where the hue is completely loaded with its source pigment. Sits at the bold-and-saturated end of the grid, parallel to brimming and suffused in usage.

Median
modifier

Latin Medi, Medes. As a color modifier, median implies an ancient-Iranian-and-Median-Empire quality, the visual register of Median-Empire-of-Ecbatana pre-Achaemenid Iranian-Median highland-kingdom hand-built fortress-and-temple surfaces under Median-Empire-of-Ecbatana pre-Achaemenid Iranian-Highland fortress light. Sits at the modifier-and-cultural end of the grid, parallel to persia and achaemenid in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a52b1b
Original
#504718
Protanopia
#6e6214
Deuteranopia
#b60029
Tritanopia
#444444
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.09:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.96:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A52B1B
Display P3
Display P3
color(display-p3 0.5959 0.2086 0.1435)
P3 has subtle headroomOKLCH chroma 0.161

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas