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Magisterial Sheen Crimson

#a5221c
Notes

Magisterial Sheen Crimson (#A5221C) is a true red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (3°, 71%, 38%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a5221c
RGB
rgb(165, 34, 28)
HSL
hsl(3, 71%, 38%)
HWB
hwb(3 11% 35%)
OKLCH
oklch(47.2% 0.168 28.3)
P3
color(display-p3 0.5946 0.1827 0.1436)
HSV
hsv(3, 83%, 65%)
LAB
lab(36.42% 51.83 37.43)
LCH
lch(36.42% 63.93 35.83)
CMYK
cmyk(0%, 79%, 83%, 35%)

Etymology

Magisterial
adjective

Latin magisterium, teacher's office — adjectival suffix -al. As a color modifier, magisterial implies a saturated-and-authoritative-and-formal quality, the deep-rich color of Qing-dynasty civil-magistrate court-and-ritual textiles and Imperial-Examination scholar-class livery. Sits at the bold-and-authoritative end of the grid, parallel to authoritative and commanding.

Sheen
modifier

Old English scēne, bright / fair. As a color modifier, sheen implies a soft-and-luminous-glow quality, the visual register of silk-and-pearl-and-satin-sheen soft-and-luminous-glow silk-and-pearl-and-satin sheen-and-luminous-glow surfaces under soft-and-luminous-silk-and-pearl-sheen filtered light. Sits at the modifier-and-texture end of the grid, parallel to gloss and shine in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a5221c
Original
#4c4319
Protanopia
#6c6015
Deuteranopia
#b60022
Tritanopia
#3d3d3d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.38:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.85:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A5221C
Display P3
Display P3
color(display-p3 0.5946 0.1827 0.1436)
P3 has subtle headroomOKLCH chroma 0.168

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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