Resounding Ray Crimson

Latin resonāre, to echo back — present-participle of resound. As a color modifier, resounding implies a saturated-and-echoing-and-imposing quality where the hue reverberates visually like a cathedral-bell ring. Sits at the bold-and-resonant end of the grid, parallel to resonant and booming in usage.

Latin radius, spoke-or-beam. As a color modifier, ray implies a radiant-and-spoke-of-light quality, the visual register of Bernini-Gloria-and-Baroque-altarpiece-ray hand-radiant-and-spoke-of-light Bernini-Gloria-and-Baroque-altarpiece-and-Counter-Reformation rayed-and-radiant-and-spoke-of-light surfaces under Bernini-Gloria-and-Baroque-altarpiece-and-Counter-Reformation gilded-spoke-and-altar-and-cathedral-dome heavenly-light. Sits at the modifier-and-mood end of the grid, parallel to beam and gleam in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.