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Tenacious Slav Crimson

#a3231c
Notes

Tenacious Slav Crimson (#A3231C) is a true red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (3°, 71%, 37%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a3231c
RGB
rgb(163, 35, 28)
HSL
hsl(3, 71%, 37%)
HWB
hwb(3 11% 36%)
OKLCH
oklch(46.9% 0.165 28.5)
P3
color(display-p3 0.5876 0.1842 0.1430)
HSV
hsv(3, 83%, 64%)
LAB
lab(36.13% 50.91 37.00)
LCH
lch(36.13% 62.93 36.01)
CMYK
cmyk(0%, 79%, 83%, 36%)

Etymology

Tenacious
adjective

Latin tenāx, holding-fast — adjectival suffix -ous. As a color modifier, tenacious implies a saturated-and-clinging quality where the hue grips its substrate with stubborn pigmentation. Sits at the bold-and-resilient end of the grid, parallel to unyielding and adamant in usage.

Slav
modifier

Old Slavic Slověninъ, speaker / Slav. As a color modifier, slav implies an Eastern-European quality, the visual register of Slavonic-Russian-Polish-Czech hand-built Onion-domed-cathedral-and-folk-hand-painted Slavic-folk-tradition surfaces under Russian-Orthodox-and-Czech-and-Polish folk-painting cathedral light. Sits at the modifier-and-cultural end of the grid, parallel to roman and celtic in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a3231c
Original
#4b4319
Protanopia
#6b5f15
Deuteranopia
#b40023
Tritanopia
#3e3e3e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.46:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.81:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A3231C
Display P3
Display P3
color(display-p3 0.5876 0.1842 0.1430)
P3 has subtle headroomOKLCH chroma 0.165

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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