Armored Meek Crimson

Old French armëure, armor — past-participle of armor, derived from Latin arma (weapons). As a color modifier, armored implies a saturated-and-armor-clad-and-defensive quality, the deep-rich color of medieval-knight full-plate-armor visible-and-formidable battle-presence. Sits at the bold-and-fortified end of the grid, parallel to ironclad and shielded.

Old Norse mjúkr, soft-and-gentle. As a color modifier, meek implies a hushed-and-self-effacing-and-quiet quality, the visual register of Beatitude-and-Quaker-meeting-meek hand-bowed-and-self-effacing-and-quiet Beatitude-and-Quaker-meeting-and-monastic-cloister meek-and-bowed-and-quieted surfaces under Beatitude-and-Quaker-meeting-and-monastic-cloister hush-and-bowed-vigil candle-lit-light. Sits at the modifier-and-mood end of the grid, parallel to coy and mute in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.