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Honest Stole Topaz

#a27d40
Notes

Honest Stole Topaz (#A27D40) is a true amber with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (37°, 43%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a27d40
RGB
rgb(162, 125, 64)
HSL
hsl(37, 43%, 44%)
HWB
hwb(37 25% 36%)
OKLCH
oklch(61.3% 0.091 78.2)
P3
color(display-p3 0.6127 0.4959 0.2886)
HSV
hsv(37, 60%, 64%)
LAB
lab(54.78% 7.20 38.22)
LCH
lch(54.78% 38.89 79.33)
CMYK
cmyk(0%, 23%, 60%, 36%)

Etymology

Honest
adjective

Latin honestus, honorable — used as a color modifier since the seventeenth century for hues that read as straightforward and unembellished, the working browns and grays of vernacular architecture rather than the polished shades of court fashion. Honest brown, honest gray: moderate saturation combined with optical directness. Sits at the crisp-bucket alongside plain and frank.

Stole
modifier

Latin stola, Roman-women's-and-priestly-robe. As a color modifier, stole implies a Roman-women's-and-priestly-robe quality, the visual register of Roman-stola-and-Catholic-priestly-stole hand-Roman-women's-and-priestly-robe Roman-stola-and-Catholic-priestly-stole-and-Anglican-tippet stole-and-Roman-women's-and-priestly-robe surfaces under Roman-stola-and-Catholic-priestly-stole-and-Anglican-tippet Republican-Rome-and-Catholic-Mass-and-Anglican-Vespers Roman-and-Mass-light. Sits at the modifier-and-textile end of the grid, parallel to cope and robe in usage.

Topaz
noun

A fluorine aluminum silicate gem, hardness 8 on the Mohs scale, mined for centuries in Ouro Preto, Brazil. Imperial topaz is the prized variety: a warm, slightly pink-shifted gold-orange with the high refractive index of a quality cut stone. Cooler than amber, brighter than honey, with the gem's signature internal fire when held to light. Named for the island of Topazos in the Red Sea, though that source produced peridot instead.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a27d40
Original
#8c7e3a
Protanopia
#948742
Deuteranopia
#af736f
Tritanopia
#808080
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.79:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.54:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A27D40
Display P3
Display P3
color(display-p3 0.6127 0.4959 0.2886)
P3 has subtle headroomOKLCH chroma 0.091

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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