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Replete Via Brick

#a12d1d
Notes

Replete Via Brick (#A12D1D) is a true red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (7°, 69%, 37%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a12d1d
RGB
rgb(161, 45, 29)
HSL
hsl(7, 69%, 37%)
HWB
hwb(7 11% 37%)
OKLCH
oklch(47.5% 0.155 31.1)
P3
color(display-p3 0.5819 0.2127 0.1481)
HSV
hsv(7, 82%, 63%)
LAB
lab(37.01% 46.76 37.18)
LCH
lch(37.01% 59.74 38.49)
CMYK
cmyk(0%, 72%, 82%, 37%)

Etymology

Replete
adjective

Latin replētus, filled — past-participle of replēre. As a color modifier, replete implies a saturated-and-fully-pigmented quality where the hue is completely loaded with its source pigment. Sits at the bold-and-saturated end of the grid, parallel to brimming and suffused in usage.

Via
modifier

Latin via, road-or-way. As a color modifier, via implies a Latin-road-and-Roman-Via-Appia quality, the visual register of Roman-Via-Appia-and-Via-Aemilia hand-Latin-road-and-Roman-Via-Appia Roman-Via-Appia-and-Via-Aemilia-and-Via-Egnatia via-and-Latin-road surfaces under Roman-Via-Appia-and-Via-Aemilia-and-Via-Egnatia Republican-Rome-and-imperial-road-network basalt-paved-Roman-road-light. Sits at the modifier-and-Latin end of the grid, parallel to arbor and domus in usage.

Brick
noun

Fired clay, mineral red. The color refers to common building brick — iron-rich earthenware kilned to the specific dusky red-orange of a Victorian terrace, a Roman aqueduct, an adobe wall in New Mexico. Less saturated than ruby, warmer than burgundy, with a chalky cast that reads as architectural rather than decorative.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a12d1d
Original
#50471a
Protanopia
#6c6017
Deuteranopia
#b2002a
Tritanopia
#454545
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.22:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.91:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A12D1D
Display P3
Display P3
color(display-p3 0.5819 0.2127 0.1481)
P3 has subtle headroomOKLCH chroma 0.155

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

Related Colors

Canvas