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Utilitarian Age Topaz

#9c7f41
Notes

Utilitarian Age Topaz (#9C7F41) is a true amber with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (41°, 41%, 43%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#9c7f41
RGB
rgb(156, 127, 65)
HSL
hsl(41, 41%, 43%)
HWB
hwb(41 25% 39%)
OKLCH
oklch(61.1% 0.088 84.6)
P3
color(display-p3 0.5936 0.5023 0.2917)
HSV
hsv(41, 58%, 61%)
LAB
lab(54.69% 3.48 37.43)
LCH
lch(54.69% 37.59 84.68)
CMYK
cmyk(0%, 19%, 58%, 39%)

Etymology

Utilitarian
adjective

Latin ūtilitās, usefulness — adjectival suffix -ian. As a color modifier, utilitarian implies a clear-and-purpose-fit-and-stripped-down quality, the crisp color of Shaker-and-Quaker anti-ornamental functional-and-no-frills craft tradition. Sits at the crisp-and-functional end of the grid, parallel to functional and workmanlike in usage.

Age
modifier

Old French aage, period-of-life. As a color modifier, age implies a long-passage-of-time quality, the visual register of Bronze-and-Iron-and-Stone-Age multi-millennia archaeological-period age-and-epoch-marked surfaces under multi-millennia age-and-epoch-defining time-deep light. Sits at the modifier-and-time end of the grid, parallel to era and eld in usage.

Topaz
noun

A fluorine aluminum silicate gem, hardness 8 on the Mohs scale, mined for centuries in Ouro Preto, Brazil. Imperial topaz is the prized variety: a warm, slightly pink-shifted gold-orange with the high refractive index of a quality cut stone. Cooler than amber, brighter than honey, with the gem's signature internal fire when held to light. Named for the island of Topazos in the Red Sea, though that source produced peridot instead.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#9c7f41
Original
#8c7e3b
Protanopia
#938643
Deuteranopia
#a87571
Tritanopia
#818181
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.80:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.53:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##9C7F41
Display P3
Display P3
color(display-p3 0.5936 0.5023 0.2917)
P3 has subtle headroomOKLCH chroma 0.088

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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