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Armored Crown Ruby

#9c161c
Notes

Armored Crown Ruby (#9C161C) is a true red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (357°, 75%, 35%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#9c161c
RGB
rgb(156, 22, 28)
HSL
hsl(357, 75%, 35%)
HWB
hwb(357 9% 39%)
OKLCH
oklch(44.6% 0.167 25.8)
P3
color(display-p3 0.5609 0.1464 0.1374)
HSV
hsv(357, 86%, 61%)
LAB
lab(33.41% 52.39 33.85)
LCH
lch(33.41% 62.37 32.87)
CMYK
cmyk(0%, 86%, 82%, 39%)

Etymology

Armored
adjective

Old French armëure, armor — past-participle of armor, derived from Latin arma (weapons). As a color modifier, armored implies a saturated-and-armor-clad-and-defensive quality, the deep-rich color of medieval-knight full-plate-armor visible-and-formidable battle-presence. Sits at the bold-and-fortified end of the grid, parallel to ironclad and shielded.

Crown
modifier

Latin corōna, garland / crown. As a color modifier, crown implies a royal-headpiece-and-coronation quality, the visual register of British-Imperial-State-Crown-and-French-Crown-Jewel hand-set jeweled-and-velvet-and-gilt royal-and-Imperial-coronation surfaces under Imperial-State-Crown-and-French-Crown-Jewel royal-and-Imperial coronation-day light. Sits at the modifier-and-cultural end of the grid, parallel to throne and coronet in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#9c161c
Original
#433c1a
Protanopia
#645915
Deuteranopia
#ac001b
Tritanopia
#333333
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
8.25:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.55:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##9C161C
Display P3
Display P3
color(display-p3 0.5609 0.1464 0.1374)
P3 has subtle headroomOKLCH chroma 0.167

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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