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Smoldering Stoop Ruby

#9b191d
Notes

Smoldering Stoop Ruby (#9B191D) is a true red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (358°, 72%, 35%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#9b191d
RGB
rgb(155, 25, 29)
HSL
hsl(358, 72%, 35%)
HWB
hwb(358 10% 39%)
OKLCH
oklch(44.6% 0.164 25.9)
P3
color(display-p3 0.5576 0.1529 0.1405)
HSV
hsv(358, 84%, 61%)
LAB
lab(33.47% 51.40 33.26)
LCH
lch(33.47% 61.22 32.91)
CMYK
cmyk(0%, 84%, 81%, 39%)

Etymology

Smoldering
adjective

The progressive participle of smolder, to burn slowly without flame. Used as a color word since the late nineteenth century for the deep reds and oranges of barely-flame coal — the warm saturated darks where the heat is internal rather than emitted. Sits in the bold-and-warm corner, slightly less luminous than burning and slightly less calm than rich.

Stoop
modifier

Dutch stoep, front-step. As a color modifier, stoop implies a small-porch-and-front-step quality, the visual register of American-and-Dutch-stoop hand-built small-front-porch-and-front-step Brooklyn-and-Dutch-Colonial-stoop architectural surfaces under American-and-Dutch-Colonial stoop-and-front-step neighborhood light. Sits at the modifier-and-architecture end of the grid, parallel to atrium and loggia in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#9b191d
Original
#443d1b
Protanopia
#635917
Deuteranopia
#ab001d
Tritanopia
#353535
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
8.23:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.55:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##9B191D
Display P3
Display P3
color(display-p3 0.5576 0.1529 0.1405)
P3 has subtle headroomOKLCH chroma 0.164

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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