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Resolute Zenith Brick

#9a2705
Notes

Resolute Zenith Brick (#9A2705) is a deep red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (14°, 94%, 31%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#9a2705
RGB
rgb(154, 39, 5)
HSL
hsl(14, 94%, 31%)
HWB
hwb(14 2% 40%)
OKLCH
oklch(45.4% 0.156 34.9)
P3
color(display-p3 0.5558 0.1909 0.0888)
HSV
hsv(14, 97%, 60%)
LAB
lab(34.67% 46.16 45.33)
LCH
lch(34.67% 64.70 44.48)
CMYK
cmyk(0%, 75%, 97%, 40%)

Etymology

Resolute
adjective

From the Latin resolutus, unwavering — used as a color modifier in literary contexts for hues that read as committed and unmoving. Resolute blue, resolute green: the saturation is full, the hue holds its position without shifting under different light. Sits in the bold-bucket center alongside strong and true, with slightly more focus on stability than presence.

Zenith
modifier

Arabic samt-al-ra's, path-overhead. As a color modifier, zenith implies an overhead-pointing-and-high-point quality, the visual register of celestial-sphere-and-overhead-Zenith hand-overhead-pointing-and-high-point celestial-sphere-and-overhead-and-Zenith-pole zenith-and-overhead-pointing-and-high-point surfaces under celestial-sphere-and-overhead-and-Zenith-pole astronomical-and-celestial-mechanics overhead-axis-light. Sits at the modifier-and-cosmic end of the grid, parallel to nadir and axis in usage.

Brick
noun

Fired clay, mineral red. The color refers to common building brick — iron-rich earthenware kilned to the specific dusky red-orange of a Victorian terrace, a Roman aqueduct, an adobe wall in New Mexico. Less saturated than ruby, warmer than burgundy, with a chalky cast that reads as architectural rather than decorative.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#9a2705
Original
#4b4100
Protanopia
#675b00
Deuteranopia
#aa0022
Tritanopia
#3d3d3d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.88:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.67:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##9A2705
Display P3
Display P3
color(display-p3 0.5558 0.1909 0.0888)
P3 has subtle headroomOKLCH chroma 0.156

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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