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Resolute Gloss Brick

#992c20
Notes

Resolute Gloss Brick (#992C20) is a true red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (6°, 65%, 36%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#992c20
RGB
rgb(153, 44, 32)
HSL
hsl(6, 65%, 36%)
HWB
hwb(6 13% 40%)
OKLCH
oklch(46.0% 0.147 29.9)
P3
color(display-p3 0.5530 0.2058 0.1535)
HSV
hsv(6, 79%, 60%)
LAB
lab(35.36% 44.55 33.36)
LCH
lch(35.36% 55.65 36.83)
CMYK
cmyk(0%, 71%, 79%, 40%)

Etymology

Resolute
adjective

From the Latin resolutus, unwavering — used as a color modifier in literary contexts for hues that read as committed and unmoving. Resolute blue, resolute green: the saturation is full, the hue holds its position without shifting under different light. Sits in the bold-bucket center alongside strong and true, with slightly more focus on stability than presence.

Gloss
modifier

Old Norse glosi, glossy-shine. As a color modifier, gloss implies a polished-and-reflective-shine quality, the visual register of polished-and-glossy-leather-and-lacquer hand-polished-and-glossy lacquer-and-shellac-and-varnish polished-and-glossy-shine surfaces under polished-and-glossy-lacquer workshop-light. Sits at the modifier-and-texture end of the grid, parallel to sheen and shine in usage.

Brick
noun

Fired clay, mineral red. The color refers to common building brick — iron-rich earthenware kilned to the specific dusky red-orange of a Victorian terrace, a Roman aqueduct, an adobe wall in New Mexico. Less saturated than ruby, warmer than burgundy, with a chalky cast that reads as architectural rather than decorative.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#992c20
Original
#4c441e
Protanopia
#675c1c
Deuteranopia
#a9022a
Tritanopia
#424242
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.68:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.74:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##992C20
Display P3
Display P3
color(display-p3 0.5530 0.2058 0.1535)
P3 has subtle headroomOKLCH chroma 0.147

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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