Opulent Sigh Brick

Latin opulentus, rich / wealthy — derived from ops (wealth). As a color modifier, opulent implies a saturated-and-luxurious quality, the deep-rich color of Belle-Époque and Gilded-Age interior-decoration silk-and-velvet textiles. Sits at the bold-and-saturated end of the grid, parallel to lavish and sumptuous.

Middle English sighen, to-breathe-out-audibly. As a color modifier, sigh implies a breathed-out-and-released-and-wistful quality, the visual register of Romantic-poet-and-pining-lover-sigh hand-breathed-out-and-released-and-pining Romantic-poet-and-pining-lover-and-bedside-vigil sighed-and-released-and-breathed-out surfaces under Romantic-poet-and-pining-lover candle-lit-and-bedside-vigil window-and-balcony-light. Sits at the modifier-and-mood end of the grid, parallel to yearn and brood in usage.

Fired clay, mineral red. The color refers to common building brick — iron-rich earthenware kilned to the specific dusky red-orange of a Victorian terrace, a Roman aqueduct, an adobe wall in New Mexico. Less saturated than ruby, warmer than burgundy, with a chalky cast that reads as architectural rather than decorative.