Velvety Flit Brick

An adjectival form of velvet, used since the eighteenth century for colors that read as if they had the matte light-absorbing quality of velvet. Implies high saturation combined with a non-glossy surface — the matte richness of a deep wine in a fabric rather than in a glass. Sits in the bold-and-deep corner of the grid alongside plush and lush.

Old Norse flytja, to-move-or-shift. As a color modifier, flit implies a quick-darting-and-light-winged quality, the visual register of swallow-and-warbler-flit hand-quick-darting-and-light-winged swallow-and-warbler-and-darting-finch flitted-and-quick-darting-and-light-winged surfaces under swallow-and-warbler-and-darting-finch summer-eaves-and-hedgerow-and-meadow-edge dappled-flight-light. Sits at the modifier-and-mood end of the grid, parallel to hover and flutter in usage.

Fired clay, mineral red. The color refers to common building brick — iron-rich earthenware kilned to the specific dusky red-orange of a Victorian terrace, a Roman aqueduct, an adobe wall in New Mexico. Less saturated than ruby, warmer than burgundy, with a chalky cast that reads as architectural rather than decorative.