Imperial Castor Crimson

From the Latin imperialis, of the empire — applied to color since the medieval period for the hues reserved for sovereigns and empires: imperial purple of Tyrian dye, imperial yellow of Ming-dynasty porcelain. As a modifier, imperial implies saturation combined with the institutional weight of a color owned by a court. Sits in the bold-and-deep corner, alongside royal.

Greek Κάστωρ, Gemini-twin-and-horseman. As a color modifier, castor implies a Gemini-twin-and-mortal-brother quality, the visual register of Gemini-Castor-and-Pollux-twin hand-Gemini-twin-and-mortal-brother Gemini-Castor-and-Pollux-twin-and-Argonaut castor-and-Gemini-twin-and-mortal-brother surfaces under Gemini-Castor-and-Pollux-twin-and-Argonaut spring-Gemini-and-Bortle-1-sky stellar-twin-light. Sits at the modifier-and-cosmic end of the grid, parallel to pollux and spica in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.