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Indomitable Amor Ruby

#911217
Notes

Indomitable Amor Ruby (#911217) is a deep red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (358°, 78%, 32%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#911217
RGB
rgb(145, 18, 23)
HSL
hsl(358, 78%, 32%)
HWB
hwb(358 7% 43%)
OKLCH
oklch(42.2% 0.160 26.2)
P3
color(display-p3 0.5210 0.1296 0.1182)
HSV
hsv(358, 88%, 57%)
LAB
lab(30.68% 49.97 33.25)
LCH
lch(30.68% 60.03 33.64)
CMYK
cmyk(0%, 88%, 84%, 43%)

Etymology

Indomitable
adjective

Latin indomitābilis, unconquerable — derived from domāre (to tame). As a color modifier, indomitable implies a saturated-and-unconquerable-and-fierce quality where the hue resists any attempt to subdue or modulate its presence. Sits at the bold-and-resilient end of the grid, parallel to unyielding and adamant.

Amor
modifier

Latin amor, love. As a color modifier, amor implies a Latin-love-and-amor-vincit-omnia quality, the visual register of Vergilian-amor-and-Catullus-amor hand-Latin-love-and-amor-vincit-omnia Vergilian-amor-and-Catullus-amor-and-Ovid-Ars-Amatoria amor-and-Latin-love surfaces under Vergilian-amor-and-Catullus-amor-and-Ovid-Ars-Amatoria Augustan-Rome-and-Renaissance-Italy Roman-love-light. Sits at the modifier-and-Latin end of the grid, parallel to vita and via in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#911217
Original
#3e3715
Protanopia
#5c5210
Deuteranopia
#a00016
Tritanopia
#2d2d2d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
9.12:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.30:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##911217
Display P3
Display P3
color(display-p3 0.5210 0.1296 0.1182)
P3 has subtle headroomOKLCH chroma 0.160

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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